Just like Elvis Presley, Ricky Nelson, and Dean Martin before him, Roy Orbison attempted to cross-pollinate his musical career with screen acting via the western genre. But unlike the aforementioned singers, Orbison's time as a matinee idol would be short-lived, producing only one film: Michael D. Moore's The Fastest Guitar Alive (1967).
The post Videodrome :: The Fastest Guitar Alive (1967) first appeared on Aquarium Drunkard.